Elisabeth Frink (1930–1993) was a British sculptor and printmaker renowned for her powerful, emotionally charged depictions of the human form, often conveying themes of strength, vulnerability, and conflict. Though primarily known for her sculptures, Frink's work as a printmaker was also significant. She experimented with etching, lithography, and silkscreen, producing prints that echoed the raw intensity of her three-dimensional works. Frink's prints often featured the same animal and human figures seen in her sculptures—primarily horses, birds, and human heads—which conveyed themes of isolation, suffering, and resilience. Her technical skill in printmaking, particularly in the use of bold lines and dramatic contrasts, gave her works a tactile, almost sculptural quality. The prints, like her sculptures, were deeply expressive, blending abstraction with figurative elements to explore the complexities of the human experience. Frink's printmaking, alongside her sculpture, cemented her as one of the most important British artists of the 20th century.